Who’s Who in Manon

Deep Dive on the Characters of MacMillan’s Masterpiece

The story of Manon brims with passion, decadence, and tragedy, brought to life onstage through unforgettable, complex characters. Based on the 1731 novel L’Histoire du Chevalier des Grieux et de Manon Lescaut by Abbé Prévost, MacMillan’s ballet tells the tale of Manon, a young woman torn between love and the allure of wealth, and Des Grieux, the idealistic student who falls deeply in love with her. Set against the backdrop of 18th-century Parisian opulence and ultimately the Louisiana bayou, this story unfolds as a poignant exploration of human desires, moral conflicts, and the consequences of choice.

Let us introduce you to the central characters of Manon—from our bewitching and conflicted titular character to the powerful and devious Monsieur G.M.—and explore how their relationships drive this timeless tale of love and betrayal.

The Royal Ballet in Kenneth MacMillan’s Manon // © Photograph by Alice Pennefather, courtesy of Royal Ballet

Manon Lescaut: Manon is a woman of extraordinary beauty and charm. She is caught between her love for Des Grieux and her desire for a life of luxury and comfort. Her choices, influenced by the world’s temptations and pressures, lead to her eventual downfall. Manon’s character is a fascinating blend of innocence, sensuality, and ambition, making her one of ballet’s most compelling heroines.

Chevalier des Grieux: A passionate young student, Des Grieux is deeply in love with Manon. He represents the purity of love and devotion, willing to sacrifice everything for her. His love, however, blinds him to the dangers of Manon’s world.

Lescaut: Manon’s brother, Lescaut, is a manipulative and self-serving character. He acts as a broker of sorts, orchestrating Manon’s relationships with wealthy suitors to his financial advantage. Though he cares for his sister in his own way, his greed and lack of moral compass ultimately lead to her tragic fate.

Monsieur G.M.: A wealthy aristocrat, Monsieur G.M. represents the life of luxury and excess that tempts Manon. He sees her as a possession, using his wealth to control her. His presence in the story underscores the corrupting influence of money and power.

The Royal Ballet in Kenneth MacMillan’s Manon // © Photograph by Alice Pennefather, courtesy of Royal Ballet

Madame: A minor but significant figure, Madame runs the house of courtesans where Manon is introduced to a life of opulence. She embodies the societal forces that pull Manon into a world of moral compromise.

The Gaoler: A menacing figure in the final act, the Gaoler oversees the prison colony in Louisiana where Manon and Des Grieux are sent. His cruel treatment of Manon highlights the brutal reality of her downfall.

The Courtesans and Gentlemen: These characters populate the world of Manon, reflecting the glittering yet morally ambiguous society that tempts her. Their interactions and dances create a vibrant backdrop that contrasts with Des Grieux’s sincere love.

The Royal Ballet in Kenneth MacMillan’s Manon // © Photograph by Johan Persson, courtesy of Royal Ballet

Through these richly drawn characters, MacMillan weaves a visceral tale that is both extravagant and deeply human. Each figure plays a critical role in exploring the themes of love, greed, and the cost of ambition, making Manon a profound ballet that resonates with audiences across generations.

The SF Ballet and Bay Area premiere of Manon is onstage Jan 24–Feb 1.

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